Don't Be Afraid of the Dark

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They Want To Eat Your Teeth

Review by Rebecca Wilson

Don't Be Afraid of the Dark is an old-fashioned scary-as-hell movie. And get this: It's rated R. That doesn't happen very often.

See / Skip
See it if: 
You're a horror junky, obviously
Nostalgia for the golden age of haunted houses -- perfect!
A beautifully shot scary movie is a rarity these days
Guy Pearce
Skip it if: 
You've never been able to get past the couch incident
Precocious child actors make you feel like yanking teeth
You live in a scary mansion in Rhode Island
Those voices may or may not be coming from the fireplace

The biggest criticism of this movie is that the most terrifying part comes at the very beginning: A hundred years ago, the owner of Blackwood Manor lures his maid to the basement and rips out her teeth, in order to appease the goblins who have taken his son.

It doesn't work. Goblins are tricky that way.

In modern times, Guy Pearce plays an architect bent on renovating the Rhode Island pile. He moves in with his girlfriend (Katie Holmes) and emotionally distant daughter, Sally (Bailee Madison, who was freaking insufferable in that terrible movie Just Go WIth It; she's pretty good here).

The goblins are stoked about the new family! Apparently they feed upon human bone and teeth, turning the decalcified ones into fellow goblins. Which is efficient -- and also totally gruesome. Needless to say, weird shit starts going down. And, in the vein of all haunted house movies ever, Sally is shushed, ignored and blamed as an attention-seeking little wench.

Eventually, Katie Holmes also comes to believe in the goblins, which I guess aren't necessarily more far-fetched than certain thetan-based religions.

So far, Don't Be Afraid of the Dark probably sounds like a fairly run-of-the-mill scary movie. Fortunately, it was produced (not directed, sadly) by Guillermo del Toro, the mastermind behind such creatively terrifying movies as Cronos (streaming on Netflix, watch it!) and Pan's Labyrinth. The movie pretty much raises the bar on all haunted houses: It's so scary and lusciously dark and dusty that it makes other haunted houses look like suburban tract homes.

And then there are the goblins. They will give me nightmares, these shadowy creatures who feast on teeth (ugh! teeth!?), with their elongated reaching arms. And their voices! High-pitched whispers calling to Sally, "We've been waiting for you. We want to be your friend."

Freaky.

Still, it's too bad that the terror of the opening scene is never matched again. And actually, the whole backstory sounds a lot more frightening than the one set in modern times. Maybe a prequel? Please?

Fri, September 02
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R
100 mins
English
$ 25M
$ 9M
$ 18M